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Sagar — The Ocean
Neha Simlai - India
Sagar. The Ocean.
The personification of love, serenity. The tears of Gaia. Peace is a
thin film over its surface, a film of oil that catches the slanting rays
of the sun and paints rainbow hues on itself. And the rainbow film
swells and glides, caressed by multitudinous fingers from below the
water surface — the sedate, torpid movements of a woman under the expert
hands of her lover. A million tiny ripples on the surface. The skin
pockmarked by stabbing wind, it carves small depressions and floats on
the surface a fleeting moment, only to traipse along again, in a futile
attempt to make a full trip along the unending plane of the rolling sea.
And the Ocean rushes
to the shore to lick at it with a thousand tongues. Foaming at the mouth
with exertion, goaded by the wind to taste the wet sand again (and again
and again). The silica ground to talcum powder softness by the
relentless loving of His hands, sometimes tender, sometimes callous, the
grit tumbles over itself impishly. The slush of sand and water coats my
hesitant feet in a thin grainy layer. The water swirls around my ankles
and washes a fistful of earth from underneath my feet. I sway in slight
euphoria. Only He is capable of this, this teasing, this show of might.
"Look what I could do to you, but I don't."
And then it conjoins
with the wind in playful abandon. Waves — the Wind and the Sea. In the
hollow of a mighty wave that rears its head in majesty, one can see the
hand of the Creator, the Sculptor who carves and chisels the Universe.
Does He stand on the shoreline somewhere, to lift a wave, peeling it off
the Ocean and with a careless twist of His wrist, hurling it across till
it crashes down on the shore again, swirling in small pits in the sand,
washing castles away, and looping around ankles?
Each wave rears,
with white surf filigree, white horses neighing and galloping across the
water to bring it homeward, to drench the earth again. And they
confabulate amongst each other at the end of the journey. Frothy white
bubbles. Flying manes and restless hoofing. And the Ocean washes them
back again, into its warmth to rejuvenate their tired bodies, meanwhile
dispatching another herd to sate the reckless voracity of wanton Earth.
Again and again and again.
What of the anger?
Violent eddies and whirlpools that threaten to drown the cockleshells of
arrogant civilizations, it raises a thousand hands in rage, thrashing
them on the surface, churning the water, drowning in itself in fast,
spinning vortices. The callousness of destruction matching the
tenderness of love.
Sagar. The Ocean
It stretches in a
vast expanse of undulating blue-green and where it meets the horizon, I
imagine it is the edge of a giant waterfall. The curve is where the
water spills over in thick white curtains; roaring and gurgling as it
touches the bed of the Universe. And do they bathe there — at the base
of the cascade — glorious, otherworldly creatures? What treasures does
it hide, the Ocean, beyond the Edge? Even the most bewitching and
enchanting fabrication of fancies would pay little justice to the
indescribable, inconceivable splendor and glory that might unfold there.
And if one be taken to the very edge, where the unending span of
turquoise merges seamlessly with cerulean horizon, would one's soul be
sufficiently prepared to embrace and imbibe its staggering magnificence?
Would the heart not be impeded in its rhythmic pulsing, by that brazen
opulence? Would the spirit endure the mortifying terror and ecstasy that
such sights would bring upon itself? Because beyond ecstasy, there lies
terror. The peaks of joy can't help but vault down to the abyss of
horror. Ask the Lotus Eaters.
*Sagar
means Ocean in Hindi.
Neha Simlai is a Research Associate with the Socioeconomic
Development Foundation at the Federation of Indian Chambers of Commerce
and Industry, New Delhi. She studied English Literature during college
and specialized in Print Journalism at the Mass Communication Research
Centre at Jamia Millia Islamia in New Delhi.
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